Minimalist Art primarily emerged in the late 1950s with Frank Stella’s Black Paintings, exhibited at the Museum of Modern Art of New York in 1959. In this sense, the approach was similar to the one of Pop Art, even if Minimalist Art, from an aesthetical perspective and for its theoretical instances, is closely related to Conceptual Art. The programmatic intent of the minimalists was to eliminate the visible presence of the artist, often exalting the use of industrial processes instead of craft ones, and pure forms. They purified the artwork of all its non-essential elements, creating works characterized by simple geometric shapes, modularity, sequences, use of the monochrome, and lack of emotionality. On the contrary, Minimalist artists proposed a purified and cold approach to art, focused on the object and on formal concerns. Minimalist Art emerged as an outright rejection of the gestural tendencies of the previous years, characterized by a strong expressive component and emotionality (see Abstract Expressionism). From a historical-critical point of view it indicates a set of specific artistic experiences flourished in the United States between the 1960s and early 1970s. It is often used in a broader sense, going to indicate all the reductionist trends in the creative field. Minimalism -also referred to as Minimalist Art, literalist art, Primary Structures, ABC Art, Antiform, and Cool Art– describes a movement that has particularly involved the fields of Visual Arts and Design, but it has actually impacted music, literature, and linguistics as well. (fair use), Wall Drawing, Sol Le Witt, 2004. ![]() (fair use) Untitled (to Tracy, to celebrate the love of a lifetime), Dan Flavin, 1992, Solomon R.Tatlin, Dan Flavin, 1964, Massachusetts Museum of Contemporary Art/ Tate Modern, (check license), Untitled, Donald Judd, 1980, Tate Modern,.(fair use), Untitled, Agnes Martin, 1959, Solomon R., (fair use), Untitled (Mirrored Cubes), Robert Morris, 1965 – 1971, Tate Modern,.(fair use), Gran Cairo, Frank Stella, 1962, Whitney Museum of American Art,.Minimal Art had, in fact, begun to emerge a few years earlier, at the end of the 1950s, as an extreme and detached response to Abstract Expressionism and to the Gestural Art of the previous generation of American artists. In the article, the scholar deals with the tendency of “minimal reduction” in Visual Arts, listing the artistic practices which were characterized by impersonality, a strong conceptual component and, indeed, the reduction to the essential form. The term Minimalism was officially coined in 1965, used for the first time by the English philosopher Richard Wollheim in an article entitled “Minimal Art”, published inside the review Arts Magazine. ![]() In Minimalism, the forms of expressiveness, emotionality, identity are suppressed in order to emphasize the objectivity and the essence of the artwork. Minimalist Art (or Minimalism) is an artistic tendency developed in the United States in the Sixties and characterized by works of art with extremely simple and modular forms, reduced to their elementary geometric structure.
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